Icons are everywhere!

An icon is someone who makes an effort. Art makes an effort. Therefore art is an icon. Marilyn Monroe was and is an icon and a work of art as well. Hence Marilyn Monroe and art have a nature in common. Icon - Art - Marilyn is iconic.
Showing posts with label Death. Show all posts
Showing posts with label Death. Show all posts

Thursday, November 7, 2013

Blonde Woman, Dead on Arrival.

Here is for you one of my older stories I wrote on Marilyn Monroe. this one tries to be a mixture of a reflective piece and a obituary. When I wrote this i was very much obsessed with the idea of an image surviving time and overshadowing its origin. 



August 5th. 1962.1.36 pm. 12305 Fifth Helena Drive, Brentwood, Los Angeles.

She dialed the number. The phone rang, but no one answered. She put down the phone. John did not answer, and nobody knows why. She picked up the phone once again. This will be the last time she ever touched a phone, and ever dialed a number.

When they look back at her life all they see is the bright, shiny and stunning creature, which Hollywood wanted her to be. It is not like Marilyn lied to the world, nor did Norma Jean,but she always wanted to be a terrific beautiful star and special. She loathed average. She was not average. But this night, the night of her spirit finally leaving the vessel, she had become what she hated most: average. But what she might have loved is that even in being average she was truly special. Death she may share with each and every creature, but with her death she entered the sphere of icons. She will always be remembered as this star she always wanted to be.

“Marilyn is gone. Would you come here? Marilyn is no longer alive.” Jack Clemmons, an officer of the Los Angeles Police Department, received this call by Marilyn’s psychiatrist Dr. Ralph Greenson. She was 36. As the doctors entered the room all they saw was a woman lying on a bed, nude, with her face and blossoms down. Only a thin blanket covered her body. A blonde woman, dead on arrival.

What we may remember most about the following days was that her death was an unbelievable thing. Her visuals, which have been captured on photographs and in movies, have constantly flashed through the papers and now they took their final flash in the center of the spotlight. Marilyn will always be alive, even if Norma is dead. The blonde, divine, fake and dead hair shined for its last time. Superficially Marilyn’s appearance and behavior has always been about the looks, the poses, the sex appeal and the desire she embodied. The world wanted to see beauty, to own the picture, to absorb it. That is what they always got, even until the very end. She never disappointed.

When they had lifted her body up, and laid it on the stretcher, she looked as if she was not Marilyn at all. Her face was swollen softly, her eyes closed and her skin looked pale. The hair, which smelled chemical, was all messed up, her lips, which had always been perfectly full, looked torn, and her lipstick was smudged.

The whole world knew her and still, more than 2600 weeks later, everyone knows her. If you type in Marilyn on google.com it will instantly add Monroe as a proposal. If you press enter approximately eighty three million seven hundred thousand results will be found in less than 0,2 seconds. They knew her for her body, her sex appeal and her being Marilyn Monroe. But what is most remarkable is Marilyn’s smile. Smiling is a happy expression. It shows joy, vitality, energy and spirit. Marilyn smiled a lot. She always tried to be happy. Not for her own sake but for Norma. Since Norma hasn’t exactly had what is supposed to be the picture-perfect childhood, Marilyn was her way to make the experiences she did not had. She, they, Norma and Marilyn, were seen as one, but in fact were 2 different people. Norma, who was a child when she first got married, had to grow up so fast that she was an adult by the time others went on their first date. Marilyn, who was an artificial creation of FOX, was not the adult she should have been.

Not even in the night of her death the paparazzi ignored her. When her corpse arrived in an ambulance at the Los Angeles County Hospital the paparazzi were already waiting for her, to catch the image. The image of a fallen star, which once was a symbol for America, as prove for the possibility that your dreams may fulfill themselves. They wanted to catch her, take her picture. Pictures made her a star, and they were to guide her till the very end.

Her zodiac sign was twins. Twins may represent a dual force, the power of two and the unity of two parts. On the other hand twins are a representation of a duality. A split personality. And this girl, woman, being, construct, dead creature and beautiful personality was two, split. Norma Jean wanted to be Marilyn. FOX created Marilyn in cooperation with Norma Jean. Marilyn grew. Norma grew along, for a while. When Marilyn grew more and more, Norma suffered. Marilyn, always reduced to the sex symbol and serving as a mask, started to get so heavy that Norma suffered under the pressure and the reductionism. When Norma could no longer take the pressure she was in danger to break down. On movie sets she was fragile, appeared late, was always on drugsand could hardly make a scene. She needed help. Psychoanalysis seemed like theanswer. But it was not. Finally Marilyn brought Norma Jean to the edge. Norma jumped the edge. It is not clear if Marilyn helped Norma. What “helped” her were her lovers.

To be photographed always seemed a way for her to be loved without risk. Her skin was her protection. Her body was notsomething she associated with shame; rather she saw it as a vessel. As something to work with and on.

But in this night her lovers were not called Joe, John or any other male name. They were called pentobarbital, chloral hydrateand other barbiturates.

Marilyn has always been more that what the world perceived her to be. Ways more. Underestimating her and making her a dumb doll was wrong. Simply because she was everything else than that. Once she wrote a poem:

Help help
Help
Ifeel live coming closer
when all I want
is to die

It seems as like she knew that she would not get very old. Just like her idol: Jean Harlow.

She was laid to rest on August 8th in a bronze coffin. The only husband of hers coming to the funeral was JoeDiMaggio. Lee Strasberg who held the funeral speech said that he couldn’t bare to say goodbye. Marilyn hated to say goodbye.

In 1955 in a letter to Claude Claude she added in the post scriptum:

“In a few day’s I am sending you a reminder – to remind you of something of me mostly.”

It seems as though Marilyn has left behind a reminder for all of us. Her life, story and being is a reminder. We should keep it in mind.

Thursday, May 16, 2013

I read it, so should you! - "Blow by Blow" by Detmar Blow

This episode of "I read it, so should you!" could also be an episode of "Passion for Fashion".  On May 7th 2007 Isabella low, beloved eccentric fashion journalist, set an end to her life. With poison she set her life an end, and her husband Detmar Blow has, in co-work with Tom Sykes, written a biography of his wife.


Cover Copyright by Harper Collins.
Blow, who himself struggled much with depression, tell the story of his wife Isabella in a surprisingly un-kitschy way. But at the same time it is really moving. He starts off in Isabella's childhood and also sweeps back into the history of her family and her difficult childhood. Also he stalks about Isabella's relation to her father and the relation to her step-mother. Also he includes her her relation to old medieval ruins and the "palace" she grew up. Detmar involves Issie's early relationships and her proclivity to rebellion and non-conformativity. The biography also includes Issies first marriage, her moving to Texas, and her moving to New York City. Also included are her jobs at Vogue (where she became the assistant of Anna Wintour), at Tatler and meeting with Detmar.

From this point on he describes his life with her. In there he includes Issie discovering Alexander McQueen. He really goes into detail about describing their life until the time when Issie started to feel depressive.  He really goes into detail about her self destructive mode, her suicide attempts and her fighting ovarian cancer. When he writes about her death the book is really at its best. Still its a tragic story but fascinating. 

This is a definite read. And its not a light and soft read, it is really something one should read and think about while reading!

Saturday, May 11, 2013

I Love Art - Marilyn: Tha Last Hours, a reenactment drawn by the model of Amanda Lepore #11 The Body Bag

#11 The Body Bag




I decided that I wanted to finish this art / drawing series with  drawing that did jump out a little. So I decided to go for the tabloid version. There i'd have a picture of Monroe in the body bag, only her lips visible. I decided to go for the lips and not the iconic blonde hair, since her lips were super voluptuous and Amanda Lepore's lips are as well.  Also I liked the idea that, even as a corpse, Monroe was property of the public.

Thursday, May 9, 2013

I Love Art - Marilyn: The Last Hours, a reenactment drawn by the model of Amanda Lepore #9 The Sip

#9 The Sip




This sip will be fatal for Norma and will make Monroe a legend and a myth. Sadly this last sip of champagne flushes down the cocktail of pills she took before going to bed. She will sleep. I decided to make this picture not blurred since we don't take on the action from Monroe's perspective, but much more from the perspective of an outsider, or the press. 

Wednesday, May 8, 2013

I Love Art - Marilyn: The Last Hours, a reenactment drawn by the model of Amanda Lepore #8 False Salvation

#8 False Salvation




This drawing is the moment when Monroe enters her bedroom and finds a tablet with a glass of champagne and some sleeping pills on her bed. She had left them there this morning, since she knew that she could not sleep this night. She takes the pills in the desire to take a night of sleep and flee from her problems.

Tuesday, May 7, 2013

I Love Art - Marilyn: The Last Hours, a reenactment drawn by the model of Amanda Lepore #7 The Hallway

#7 - The Hallway






Obviously in this drawing Monroe is already drunk or intoxicated. By whatever: we can see that her perception of her surroundings is already extremely blurred. She stumbles into the hallway of her house on the way into her bedroom. She seeks protection in the room she feels the most secure and comfortable. 

Monday, May 6, 2013

I Love Art - Marilyn: The Last Hours,a reenactment drawn by the model of Amanda Lepore #6 The Confusion

#6 The Confusion




What id like to tell you about this picture is that it reminded me of the confusion that takes part of your identity if you are constantly pressured by anyone, but you don't really know where the pressure comes from directly. And also this drawing is the first step in Monroe's destruction. 

Sunday, May 5, 2013

I Love Art - Marilyn: The Last Hours, a reenactment drawn by the model of Amanda Lepore #5

#5 The Photo-Session





During sketching this drawing i was thinking about this last photo session Monroe did for Vogue magazine, where he was semi nude. I think this shoot was with famous photographer Brad Stern. These pictures were really beautiful, but also had this sleepy and half dead vibe to them I decided that in order to fit the drawing into the series id go with the exposing part of the shoot, and show that Monroe really felt like an empty vessel during these days. 

Saturday, May 4, 2013

I Love Art - Marilyn: The Last Hours, a reenactment drawn by the model of Amanda Lepore #4

#4 The Sex




What to say about this drawing. I mean its obvious that some hand is touching the body of Monroe . And what I have read about her in many books is that Monroe in the last months of her life had a feeling like she was just keeping the mask of Monroe up and shrinks behind this mask till she does not even exist anymore. So for her sex is not an act of love, or connection between to people. Its just something to do. And therefore she gets into the danger of just having sex with people who could just use her or harm her.

Friday, May 3, 2013

I Love Art - Marilyn: The Last Hours, a reenactment drawn by the model of Amanda Lepore #3

#3 The Face



When I drew this picture I thought about these beauty or glam shots they very often do of actors. And here in particular I was thinking about how Monroe was really duplicated by having her photograph taken I thought about it being a rip of of her skin, and by that Monroe got less and less, thematically speaking. And by, you know being photographed, she herself got less and less worth as a person because she was replicated via movie and photo . So that in the end all that was left was the sexual part of her. And by her i mean the creature Monroe and not Norma Jean. But Norma Jean was reduced to Monroe, and therefore the sex creature. And here I made the drawing very glammy and she looks kinda like she is on drugs. So this could also be seen as a reenactment of her last photo session.


Thursday, May 2, 2013

I Love Art - Marilyn: The Last Hours, a reenactment drawn by the model of Amanda Lepore #2

#2 The Travel

 
Marilyn: The Last Hours, a reenactment drawn by the model of Amanda Lepore
 
 
 
Like we all probably know Marilyn has travelled a lot during her life. She was torn between L.A. where she had to work and where she live  and New York where she felt hoe. She was not really that much of a Hollywood type of girl. So Maonroe was always on the travel. I choose her sitting because it reminds me of the view you get when ou look inside a cab. For my story, Monroe sits in the cab, and drives home to meet with someone.


Wednesday, May 1, 2013

I Love Art - Marilyn: The Last Hours, a reenactment drawn by the model of Amanda Lepore #1

#1 - Cover





Since this is just the cover of my the series, there is not that much to it. But i wanted it to have a very Hollywood-esk look, like in the opening sequences of the old Hollywood movies when the names are flying in. Just like in Monroe's movie: "Gentleman prefer Blonde's". I choose this very simple B/W look because i think it befits the series status as an retroperspective best.  So stay tuned for the next picture of Marilyn: The Last Hours!

Sunday, March 10, 2013

I Love Art - Like a Church Candle.


SO LOVED, LOVE WOMAN.

It seems like we want to be sad. And to have unfulfilled desires.


The silver sparkly linings in her face that tell us stories, we should feel 
sorry about missing out on them, make us all melt like wax in a burning 
church candle. The soft sweetness of her eyes that turn a man, making
 him spend his hard earned money on her voice and beauty. 

With her ability to create a world of blur around her, making it this magical place,
 she made time go another way. 

She created this scene when she entered this room. She was so charismatic, magnetic and mesmerizing. 
The sparkles her eyes had made her this fairy tale creature we all wish we were.
 She makes us feel sad that we cant create this scene. But for exactly that we do love her.
 We love that she leaves us in this desiring mood for a time which will never come back....